China Mountain Zhang
by Maureen F. McHugh
from Orb Books
When talking about this book you have to list the awards it's won--the Hugo, the Tiptree, the Lambda, the Locus, a Nebula nomination--after that you can skip the effusive praise from the New York Times and get to the heart of things: This is a book about a future many don't agree with. It's set in a 22nd century dominated by Communist China and the protagonist is a gay man. These aren't the usual tropes of science fiction, and they aren't written in the usual way. But, wow, it's one heck of a story.
With this groundbreaking novel, Maureen F. McHugh established herself as one of the decade's best science fiction writers. In its pages, we enter a postrevolution America, moving from the hyperurbanized eastern seaboard to the Arctic bleakness of Baffin Island; from the new Imperial City to an agricultural commune on Mars. The overlapping lives of cyberkite fliers, lonely colonists, illicit neural-pressball players, and organic engineers blend into a powerful, taut story of a young man's journey of discovery. This is a macroscopic world of microscopic intensity, one of the most brilliant visions of modern SF.
Mission Child
by Maureen F. McHugh
from Eos
Mission Child is an expansion of Maureen McHugh's "The Cost to Be Wise," a fascinating novella from the original anthology Starlight 1.
Janna's world was colonized long ago by Earth and then left on its own for centuries. When "offworlders" return, their superior technology upsets the balance of a developing civilization. Mission Child follows the journeys of Janna after she and her young partner escape marauders who attack their hometown. The girl, fast becoming mature beyond her years, sets off across the planet on an odyssey of adventure, poverty, hard work, war, famine, and rebirth. Janna uses her meager skills to eke out a living in a changing world; she gains and loses a husband, a child, friends, jobs, and more.
McHugh weaves together anthropology, sociology, psychology, and gender relations in this wondrous journey. Janna assumes the guise of a boy for protection, but eventually becomes "Jan" to herself as well as others. Reminiscent of Ursula K. Le Guin's insightful works set in the Hainish universe, Mission Child will doubtless be nominated for a Tiptree Award for its exploration of Janna's gender identity. --Bonnie Bouman
Young Janna has lived her fourteen years on the icy northern plains of a world that has forgotten its history. Now the arrival of Earthers--descendants of the humans who first settled the planet many centuries before--has violently upset the fragile balance of a developing civilization. The offworlders' advanced technologies and cruel indifference to local life have brought despair and destruction to janna's home, robbing her of family, husband, child, and self. Haunted by a dead past--mysteriously altered by the gift of three alien artifacts--Janna must now redefine herself on a devastated planet she no longer recognizes, as she embarks upon a remarkable, transcendant journey into an uncertain future; moving steadily through this strange new world toward a startling realization about her role in the great cosmic order.
Nekropolis
by Maureen F. Mchugh
from Eos
Hariba, a poor young Near Eastern woman, sells herself into a slavery guaranteed by "jessing," a biochemical process that makes her permanently loyal to her owner. She would be content, if not happy, in her new house-servant's life--if her mistress didn't own a harni. A harni is a chimera, a genetically engineered man who may or may not be human, but who is stunningly handsome and who treats Hariba with a gentle, attentive consideration she has never before experienced. The chimera, Akhmim, is so unlike Hariba's expectations that her fear and hatred give way to love and, impossibly, to dissatisfaction with her scientifically cemented loyalty. Hariba and Akhmin flee to the Nekropolis, the Moroccan cemetery/ghetto in which she grew up. But her family and best friend are unhappy to see her and horrified by the chimera, and running away from her bonded master precipitates a serious, potentially fatal illness. Her family and friends are too poor and too afraid of arrest to hire a physician. And the unfailingly patient and considerate chimera begins to have strange effects on the women in Hariba's life.
Like Maureen F. McHugh's previous novels, Nekropolis is beautifully written, thoughtful, and powerful, with complex, sensitively delineated, always believable characters. McHugh portrays human behavior with a rare and sometimes heartbreaking honesty and with an exceptional insight into the interplay of male-female relationships and the dilemma of the stranger in a strange land. Like McHugh's debut novel, China Mountain Zhang (winner of the Hugo, Tiptree, Lambda, and Locus awards), the chapters are narrated in alternating first-person viewpoints that offer fresh and contrasting angles and understanding of the characters and their world. --Cynthia Ward
Fleeing an empty future in the Nekropolis, twenty-one-year-old Hariba has agreed to have herself "jessed," the technobiological process that will render her subservient to whomever has purchased her service. Indentured in the house of a wealthy merchant, she encounters many wondrous things. Yet nothing there is as remarkable and disturbing to her as the harni, Akhmim. A perfect replica of a man, this intelligent, machine-bred creature unsettles Hariba with its beauty, its naive, inappropriate tenderness ... and with prying, unanswerable questions, like "Why are you sad?" And slowly, revulsion metamorphoses into acceptance, and then into something much more. But these outlaw emotions defy the strict edicts of God and Man -- feelings that must never be explored, since no master would tolerate them. And the "jessed" defy their master's will at the risk of sickness, pain, imprisonment ... and death.
Mothers & Other Monsters: Stories
by Maureen F. McHugh
from Small Beer Press
"Gorgeously crafted stories."-Nancy Pearl, Morning Edition
"Hauntingly beautiful."-Booklist
"My favorite thing about her is the wry, uncanny tenderness of her stories."-Dan Chaon, author of Among the Missing
A debut collection and finalist for the Story Prize. Maureen F. McHugh is an expert craftswoman who brings her clear-eyed vision (and empathy) to the relationships at the heart of our lives. Her stories are relevant, insightful, and beautifully written: She uses her deceptively simple prose to illuminate the unexpected chasms that open between generations. The reader's guide includes an essay, an interview, and talking points.
Maureen F. McHugh lives in Austin, Texas.
The Cost to Be Wise (Great Science Fiction Stories)
by Maureen F. McHugh
from AudioText
Set on a distant planet, this is a gripping tale about Sckarline, a colony that believes in appropriate technology adoption. A heavily armed clan arrives at the colony while it is being visited by off-world anthropologists. Sckarline's technological beliefs are put to the test when events spiral out of control. Told from the viewpoint of a young woman, she soon learns just how high the price of wisdom can be. This production is part of the publisher's Great Science Fiction Stories series. It is an unabridged reading by Vanessas Hart, 135 minutes, on two audio CDs.
The Magazine of Fantasy & Science Fiction April 1995 (volume 88)
Half the Day Is Night
War veteran David Dai has come to ocean-bottom Caribe to work as bodyguard to Mayla Ling, banker and scion to the undersea city's old-money set. But as Mayla negotiates the biggest deal of her life, she draws the attention of terrorists who threaten to plunge her, and David, back into the nightmare of his violent past. HC: Tor.
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