Kay, Guy Gavriel

Ysabel

Saint-Sauveur Cathedral of Aix-en-Provence is an ancient structure of many secrets-a perfect monument to fill the lens of a celebrated photographer, and a perfect place for the photographer's son, Ned Marriner, to lose himself while his father works.

But the cathedral isn't the empty edifice it appears to be. Its history is very much alive in the present day-and it's calling out to Ned...

Tigana

With a new introduction by the acclaimed bestselling author, this is the spectacular deluxe tenth-anniversary edition of a fantasy classic--the sweeping tale of sorcery, magic, politics, war, love, betrayal, and survival...

"A richly sensuous fantasy world, full of evocative history, religions, folklore, local customs, and a magical rites...a bravura performance, nearly impossible to put down."-- Kirkus Reviews

"Kay's brilliant and complex portrayal of good and evil, high and low, will draw readers to this consuming epic."-- Publishers Weekly

"A brilliant single-volume epic fantasy, rich in intrigue and subtlety. Memorable characters and cultures add depth to a gracefully plotted story."-- Library Journal

"Massively satisfying...startlingly new." -- Toronto Star

"The heir to Tolkien's tradition."-- Booklist

"One of the best fantasy novels I have read."-- Anne McCaffrey

The Darkest Road (The Fionavar Tapestry, Book 3)

The Wandering Fire (The Fionavar Tapestry, Book 2)

A mage's power has brought five university students from our world into a realm where an ancient evil has freed itself from captivity to wreak revenge on its enemies.

Praise for The Fionavar Tapestry:

One of the very best fantasies to have appeared since Tolkien. (Andre Norton)

Kay's intricate Celtic background will please fantasy buffs. (Publishers Weekly)

Immense scale, literary richness and dazzling heroes. (Toronto Star)

This is the only fantasy work I know which does not suffer by comparison to The Lord of the Rings. (Interzone)

A grand galloping narrative...reverberates with centuries of mythic and incantory implications. (Christian Science Monitor)

The essence of high fantasy...a remarkable achievement. (Locus)

The Fionavar Tapestry is a work that will be read for many years to come. (Charles de Lint)

The Summer Tree (The Fionavar Tapestry, Book 1)

A Song for Arbonne

A Song for Arbonne is Guy Gavriel Kay’s critically acclaimed fantasy of love, both courtly and forbidden, and of kingdoms endlessly opposed—one dominated by male rulers and their male god, the other guided by women and their goddess.

The Lions of al-Rassan

The ruling Asharites of Al-Rassan have come from the desert sands, but over centuries, seduced by the sensuous pleasures of their new land, their stern piety has eroded. The Asharite empire has splintered into decadent city-states led by warring petty kings. King Almalik of Cartada is on the ascendancy, aided always by his friend and advisor, the notorious Ammar ibn Khairan -- poet, diplomat, soldier -- until a summer afternoon of savage brutality changes their relationship forever.

Meanwhile, in the north, the conquered Jaddites' most celebrated -- and feared -- military leader, Rodrigo Belmonte, driven into exile, leads his mercenary company south.

In the dangerous lands of Al-Rassan, these two men from different worlds meet and serve -- for a time -- the same master. Sharing their interwoven fate -- and increasingly torn by her feelings -- is Jehane, the accomplished court physician, whose own skills play an increasing role as Al-Rassan is swept to the brink of holy war, and beyond.

Hauntingly evocative of medieval Spain, The Lions of Al-Rassan is both a brilliant adventure and a deeply compelling story of love, divided loyalties, and what happens to men and women when hardening beliefs begin to remake -- or destroy -- a world.

Lord of Emperors (Sarantine Mosaic, Book 2)

For whatever reason, Guy Gavriel Kay just insists on getting better and better. Sailing to Sarantium outshone the already excellent Lions of Al-Rassan, and now Lord of Emperors--the stunning second half of the Sarantine Mosaic--somehow surpasses even its predecessors.

Emperors picks up the story of the overwhelmed but still tenacious Crispin, now Imperial Mosaicist to Valerius II and thoroughly steeped in the machinations of Sarantium--not to mention being personally entangled in the lives of the emperor, the empress, and now his own queen, the exiled Gisel. Lord of Emperors also sends a new protagonist sailing into Sarantium, an unassuming country doctor who--like Caius--has found himself thrust into a position of great potential and peril, a victim of both circumstance and his own competence and moxie. The two struggle to stay afloat in Sarantium's swirling intrigues, as Valerius prepares for war in Crispin's homeland and unexplained, ghostly fires flicker around the city.

A touching, literate, and doggedly intelligent book, Lord of Emperors continues to prove Kay's mastery of historical fantasy (Sarantium being a well-researched analog to sixth-century Byzantium under Justinian and Theodora), as he gracefully spins a rich, convincing weave of legend and history. While other fantasy titles might have us imagine our lives as great heroes, Kay leaves a far more lasting impression by celebrating the heroics and passions of ordinary people who possess extraordinary character and spirit. --Paul Hughes

Beckoned by the Emperor Valerius, Crispin, a renowned mosaicist, has arrived in the fabled city of Sarantium. Here he seeks to fulfill his artistic ambitions and his destiny high upon a dome that will become the emerror's magnificent sanctuary and legacy.

But the beauty and solitude of his work cannot protect his from Sarantium's intrigue. Beneath him the city swirls with rumors of war and conspiracy, while otherworldly fires mysteriously flicker and disappear in the streets at night. Valerius is looking west to Crispin's homeland to reunite an Empire -- a plan that may have dire consequences for the loved ones Crispin left behind.

In Sarantium, however, loyalty is always complex, for Crispin's fate has become entwined with that of Valerius and his Empress, as well as Queen Gisel, his own monarch exiled in Sarantium herself. And now another voyager -- this time from the east -- has arrived, a pysician determined to make his mark amid the shifting, treachearous currents of passion and violence that will determine the empire's fate.

The Last Light of the Sun (Northland series)

From the multiple award-winning author of Tigana, A Song for Arbonne, and the three-book Fionavar Tapestry that "can only be compared to Tolkien's masterpiece" (Star-Phoenix), this powerful, moving saga evokes the Celtic, Anglo-Saxon, and Norse cultures of a thousand years ago.

Sailing to Sarantium (Kay, Guy Gavriel. Sarantine Mosaic, Bk. 1.)

Sailing to Sarantium is a small story. Its hero, Crispin, is unassuming as heroes go. He's a skilled mosaicist, an artist who makes pictures with decorative tiles, and responds to a request from a distant emperor to travel to the imperial capital and work on the new sanctuary there. Hardly the makings of high adventure. But then again, Guy Gavriel Kay could write about a peasant going to pick up a pail of water and you'd probably hang on every word.

If you don't know Kay, you should. His pedigree is impeccable, starting with a well-loved fantasy debut, the Fionavar Tapestry trilogy (The Summer Tree, The Wandering Fire, and The Darkest Road), and a compilation he did with Christopher Tolkien called The Silmarillion. Sailing to Sarantium, the first half of the Sarantine Mosaic series, evokes his other historical fantasy titles, such as A Song for Arbonne and The Lions of Al-Rassan, and is a well-researched analog to the Byzantine Empire and fifth-century Europe--with all its political and religious machinations.

Despite its seemingly prosaic cast and quest, Sailing to Sarantium is a charmer, another Kay classic. As usual, the character descriptions are subtle and precise--the mosaicist, Crispin, is a shrewd, irascible, and intensely likable man who is fiercely devoted to his art but troubled by guilt and loss. Reluctantly surrendering to events, he agrees to travel to Sarantium to work for the emperor. ("Sailing to Sarantium," we learn, is an expression synonymous with embracing great change.) As Crispin moves from roadside quarrels to palace intrigue, Kay gracefully shifts perspective from character to character, moving forward and backward in time and giving a rich sense of the world through the eyes of soldiers, slaves, and senators. --Paul Hughes

Valerius the Trakesian has great ambition. Rumored to be responsible for the ascension of the previous Emperor, his uncle, amid fire and blood, Valerius himself has now risen to the Golden Throne of the vast empire ruled by the fabled city, Sarantium.

Valerius has a vision to match his ambition: a glittering dome that will proclaim his magnificence down through the ages. And so, in a ruined western city on the far distant edge of civilization, a not-so-humble artisan receives a call that will change his life forever.

Crispin is a mosaicist, a layer of bright tiles. Still grieving for the family he lost to the plague, he lives only for his arcane craft, and cares little for ambition, less for money, and for intrigue not at all. But an imperial summons to the most magnificent city in the world is a difficult call to resist.

In this world still half-wild and tangled with magic, no journey is simple; and a journey to Sarantium means a walk into destiny. Bearing with him a deadly secret, and a Queen's seductive promise; guarded only by his own wits and a bird soul talisman from an alchemist's treasury, Crispin sets out for the fabled city from which none return unaltered.

In the Aldwood he encounters a great beast from the mythic past, and in robbing the zubir of its prize he wins a woman's devotion and a man's loyalty--and loses a gift he didn't know he had until it was gone.

In Sarantium itself, where rival factions vie in the streets and palaces, and chariot racing is as sacred as prayer, Crispin will begin his life anew. In an empire ruled by intrigue and violence, he must find his own source of power. And he does: high on the scaffolding of the greatest art work ever imagined, while struggling to deal with the dangers--and the seductive lures--of the men and women around him.

Guy Gavriel Kay's magnificent historical fantasies draw from the twin springs of history and legend to create seamless worlds as vibrant as any in literature. Sailing to Sarantium begins The Sarantine Mosaic, a new and signal triumph by today's most esteemed master of high fantasy.

"To say of a man that he was Sailing to Sarantium was to say that his life was on the cusp of change, poised for emergent greatness, brilliance, fortune--or else at the very precipice of a final and absolute fall into chaos and ruin."